RESCHEDULED – Los Lobos

Due to damages sustained during Tropical Storm Ida, this performance has been rescheduled to Wednesday, April 20 at 7:30PM.  The Box Office is reaching out directly to current ticket holders. Questions? Contact us at (973) 313-2787 or boxoffice@SOPACnow.org.
Storm Update & Recovery

The trademark of this great American Rock band is its ability to meld styles, including Blues and Mexican Folk. The Grammy Award-winning group Los Lobos is known for its cover of Ritchie Valens’ iconic “La Bamba.”

Covid-19 Precautions & Policies

Please know that SOPAC is dedicated to ensuring the health and safety of our entire community and we thank you in advance for reviewing our Covid-19 Precautions & Policies when planning your visit.

Questions? Contact the SOPAC Box Office at
(973) 313-2787 or boxoffice@SOPACnow.org

If you or a member of your party needs assistance, please notify SOPAC at the time your tickets are purchased. The SOPAC Box Office can be reached at (973) 313-2787.

SOPAC Member Discounts

$10 off tickets ($25 and up) for Benefactor, Impresario and Producer-level members ($900+)

$5 off tickets ($25 and up) for Advocate, Family, Ambassador and Champion-level members ($65-$500)

Los Lobos

The journey of Los Lobos began in 1973, when David Hidalgo (vocals, guitar and pretty much anything with strings), Louie Perez (drums, vocals, guitar), Cesar Rosas (vocals, guitar) and Conrad Lozano (bass, vocals, guitarrón) earned their stripes playing revved-up versions of Mexican Folk music in restaurants and at parties. The band evolved in the 1980s as it tapped into L.A.’s burgeoning Punk and college Rock scenes. They were soon sharing bills with bands like the Circle Jerks, Public Image Ltd. and the Blasters, whose saxophonist, Steve Berlin, would eventually leave the group to join Los Lobos in 1984.

Early on, Los Lobos enjoyed critical success, winning the Grammy Award for Best Mexican-American Performance for “Anselma” from its 1983 EP …And a Time to Dance. A year later, the group released its full-length, major-label debut, How Will the Wolf Survive? Co-produced by Berlin and T Bone Burnett, the album was a Rock sensation that helped Los Lobos tie with Bruce Springsteen as Rolling Stone’s Artist of the Year.

A major turning point came in 1987 with the release of the Ritchie Valens biopic, La Bamba. The quintet’s cover of Valens’ signature song topped the charts in the U.S. and the U.K. Rather than capitalize on that massive commercial success, Los Lobos instead chose to record La Pistola y El Corazón, a tribute to Tejano and Mariachi music that won the 1989 Grammy® for Best Mexican-American Performance.

That kind of sharp artistic turn has become Los Lobos’ trademark, serving to both fuel the band’s creativity and keep its fans engaged. In 1992, that willingness to defy expectations led them to record Kiko, an adventurous album produced by Mitchell Froom that’s considered by many to be one the band’s very best.

Since then, Los Lobos has continued to deliver daring and diverse albums such as Colossal Head (1996), Good Morning Aztlán (2002), The Town and the City (2006), Tin Can Trust (2010) and Gates of Gold (2015). On top of that, the band’s live shows never disappoint, as documented on the recent concert recordings Live at the Fillmore (2005) and Disconnected in New York City (2013). Through the years, they’ve managed to keep things interesting with unexpected side trips like an album of Disney songs in 2009, along with countless contributions to tribute albums and film soundtracks. One of those – “Mariachi Suite” from the 1995 film Desperado ­– earned the band a Grammy Award for Best Pop Instrumental Performance.

Los Lobos has sold millions of records, won prestigious awards and made fans around the world. But perhaps its most lasting impact will be how well its music embodies the idea of America as a cultural melting pot. In it, styles like son jarocho, norteño, Tejano, Folk, Country, Doo-wop, Soul, R&B, Rock ’n’ Roll and Punk all come together to create a new sound that’s greater than the sum of its parts.